Bradley, "it was such a strange new world out there that we decided to work together. Richard Matheson later told interviewer Matthew R. Television to become familiar with the form. More comfortable collaborating on his first novel and his first scripts for Including nearly every member of the so-called Southern California School of Nolan, in his 1986 bibliography ofīeaumont’s works, lists nearly twenty known collaborators with Beaumont, Part of Beaumont’s writing that William F. Script for the fifth season episode “Number 12 Looks Just Like You” wasĬredited to Beaumont though it was scripted by John Tomerlin based onīeaumont’s story “The Beautiful People.” Collaboration was such an integral Often, Beaumont’s name was the only one credited on screen. Prime Mover” (with George Clayton Johnson), and “Dead Man’s Shoes” (again with “Long Distance Call” (with William Idelson), “Static” (with OCee Ritch), “The Tomerlin, and Jerry Sohl, all of whom wrote scripts under Beaumont’s name for The Twilight Zone. (1963), were collaborative works or were ghostwritten by OCee Ritch, John
Of the nostalgic essays Beaumont published in Playboy, Written with John Tomerlin under the joint pseudonym Keith Grantland. Beaumont’s first novel, Run from the Hunter (1957), was Nolan), and several with Richard Matheson, for The D.A.’s Man, Markham, Buckskin, and Have Gun – Will Travel, among others. Beaumont co-scripted The Premature Burial (1962) with Ray Russell for director RogerĬorman, as well as Burn, Witch, Burn, based He began writing television byĭamon Runyan Theatre (with Eustace Cockrell), One Step Beyond (with William F. Common in Charles Beaumont’s writing career.
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